David Bordwell takes on The Bourne Ultimatum and its overdependence on handheld camerawork in the movie.
Dang, it's a really nice article. If you've seen the movie you know that it's chock full of shaky camera moves and "smash cuts" and propels its story along with energetic filmmaking. I enjoyed the movie, but thought the camerawork was a little much. I thought that it'll work better on the small screen of home television, and that it probably looked fine on the small screens in the editing bay where he was cutting it.
But Bordwell notes how the handheld camera and crazy cutting can cover up a lot in terms of plot and even acting. And, come to think of it, there are some plot holes that just whizzed by (like being able to waltz into the HQ of our government's super-secret black-ops security beaurocracy).
That said, I did like the movie more than Mr. Bordwell, despite all the great points he makes in his article. And thanks to Anne Thompson for pointing me in his direction from her blog.